Jazz Changes

Songs from 1947 to 1959

Miles Davis

These are nine songs credited to Miles Davis, from Half Nelson in 1947, the first session he led under his own name, to the Kind of Blue tunes of 1959. Some credits are disputed: Bill Evans later said he wrote Blue in Green, and Eddie Vinson is linked to Four and Tune Up. Nardis was written for Cannonball Adderley's session, and Davis never recorded it himself. The page follows all nine through the decades, in records by Bill Evans, John Coltrane, Wes Montgomery and many others.

Through the years

  1. 1940s

    Miles Davis records Half Nelson in 1947 at the first session he leads under his own name, with Charlie Parker on tenor saxophone. It is the only song on this page from the 1940s.

  2. 1950s

    Davis records Tune Up in 1953 and Four and Solar in 1954, then plays Tune Up, Four and Half Nelson again in 1956 with John Coltrane, and Sonny Rollins and Hank Mobley record Tune Up in 1957. He writes Nardis for Cannonball Adderley's 1958 session, with Bill Evans on piano, and never records it himself. In 1959 Kind of Blue brings So What, Freddie Freeloader, Blue in Green and All Blues.

    11 more
  3. 1960s

    Davis plays So What and All Blues live with Coltrane in Stockholm in 1960, and in 1964 his new quintet with Herbie Hancock, Ron Carter and Tony Williams plays them much faster. Bill Evans keeps Blue in Green, Nardis and Solar in his trio, recording Solar at the Village Vanguard in 1961. Oscar Brown Jr. adds words to All Blues in 1963, and Eddie Jefferson sings words to So What in 1968.

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  4. 1970s

    Ron Carter, who played in Davis's mid-1960s quintet, names a 1973 album for All Blues, and in 1977 Hank Jones leads a trio with Carter and Tony Williams, the bass and drums of Davis's 1964 band. George Benson opens his first CTI album with So What, Dexter Gordon plays Four and Freddie Freeloader in Copenhagen in 1975, and David Liebman's quintet stretches Solar to 20 minutes in 1978.

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  5. 1980s

    Cassandra Wilson sings her own words to Blue in Green on her first album in 1985, and Charlie Haden plays on it twice, with Fred Hersch in 1986 and with his own quartet in 1988. Bill Evans plays Nardis at Keystone Korner in San Francisco in September 1980, the month he dies. Keith Jarrett's trio plays Solar in Cologne in 1989 and dedicates it to Evans, and Pat Metheny opens a trio album with it.

  6. 1990s

    The four surviving members of Davis's second quintet, led here by Herbie Hancock, play So What live in Berkeley in 1992 with trumpeter Wallace Roney. Ray Brown's trio plays Freddie Freeloader in Boston in 1996, and the World Saxophone Quartet plays All Blues in 1998 with Jack DeJohnette. Half Nelson turns up on saxophone records: Jack Nimitz leads a baritone quartet in 1995, and Frank Morgan an alto quartet in 1996.

  7. 2000s

    Pat Martino's organ trio plays All Blues for over twelve minutes at Yoshi's in Oakland in December 2000, and Blue in Green there in 2001. In 2001 Keith Jarrett, Gary Peacock and Jack DeJohnette play Four as a piano trio at Montreux. In 2002 four former Davis sidemen, among them Jimmy Cobb, play Freddie Freeloader at Makor in New York, and Jacky Terrasson plays Nardis.

  8. 2010s

    The SFJAZZ Collective plays All Blues in an octet arrangement by Edward Simon in San Francisco in 2016, and Chick Corea plays it live in a trio in 2018. In 2014 Mostly Other People Do the Killing recreate the whole Kind of Blue album note for note. Carla Bley arranges Blue in Green for the Charlie Haden Liberation Music Orchestra in 2011, and Jack DeJohnette, Ravi Coltrane and Matthew Garrison play it with electronics in 2015.

The tunes