Jazz Changes

Jack Palmer, music · Spencer Williams, lyrics · Introduced by Clarence Williams' Blue Five

I've Found a New Baby

Jack Palmer and Spencer Williams wrote it in 1926, and Clarence Williams' Blue Five introduced it. The chords move between C minor and E♭ major in four-bar blocks across 32 bars. Bechet, Teddy Wilson, Charlie Christian, Sonny Rollins and Zoot Sims all recorded it.

E♭ major · 32 bars · A A B A form · how it works

Listen in this order

The path starts with a New Orleans band and a swing septet, then follows the song through a guitar sextet, a piano trio, two long horn sessions, a tenor quintet and an organ quartet. Every step plays the same 32 bars.

8 recordings, 1932 to 1962 · Play all 8 on YouTube ↗

  1. Sidney Bechet and His New Orleans Feetwarmers1932
  2. Teddy Wilson1937
  3. Benny Goodman Sextet1941
  4. Wynton Kelly Trio1951 · Bebop
  5. Roy Eldridge and Dizzy Gillespie1954 · Bebop
  6. Zoot Sims - Henri Renaud Quintet1956
  7. Sonny Rollins1958 · Bebop
  8. Larry Young1962 · Bebop

Step 1 of 8 Now playing✓ Heard

Hear the song as New Orleans jazz

Sidney Bechet and His New Orleans Feetwarmers · 1932

Victor 24150

Listen for
Bechet plays soprano saxophone with Ladnier on trumpet and Nixon on trombone. Notice which horn is in front on each chorus.
Try this
Hum along with Bechet while you play the first four chords of the A section (Cm7, A♭7 G7, Cm7, C7) in the chart's key of E♭.

Step 2 of 8 Now playing✓ Heard

Hear a swing-era small band

Teddy Wilson and His Orchestra · 1937

Brunswick 7926

Listen for
Clayton on trumpet, Bailey on clarinet and Young on tenor saxophone play over a rhythm section of Wilson, Green, Page and Jones. Pick out the tenor saxophone when it enters.
Try this
Play the eight-bar A section (Cm7, A♭7 G7, Cm7, C7, F7, B♭7, E♭6, A♭7 G7) with a steady four-beat pulse in the left hand.

Step 3 of 8 Now playing✓ Heard

Hear an electric guitar solo

Benny Goodman Sextet · 1941

“I Found a New Baby”, Columbia 36039

F major · 4/4

Listen for
Christian's electric guitar sits among Goodman's clarinet, Williams's trumpet and Auld's tenor saxophone. Listen for where the guitar takes its own chorus.
Try this
Play the bridge chords once through (G7, G7, Cm7, Cm7, F7, F7, B♭7, G7), then listen for the bridge in the recording.

Step 4 of 8 Now playing✓ Heard

Hear a piano trio

Wynton Kelly Trio · 1951 · Bebop

New Faces - New Sounds: Wynton Kelly Piano Interpretations

Listen for
Only three instruments play, so each one is easy to follow. Follow the bass through the first A section, then switch to the drums.
Try this
Play the chart's chords on piano with a bass note on beats 1 and 3 in the left hand. If that is easy, walk the bass on all four beats.

Step 5 of 8 Now playing✓ Heard

Hear a long jam on the form

Roy Eldridge and Dizzy Gillespie · 1954 · Bebop

Roy and Diz

Listen for
Two trumpeters, a pianist, a guitarist, a bassist and a drummer have more than nine minutes to work with. Follow one trumpet through a whole chorus and count the 32 bars.
Try this
Count four beats per bar along with the track until you can find the bridge each time it comes around.

Step 6 of 8 Now playing✓ Heard

Hear a tenor and trumpet front line

Zoot Sims - Henri Renaud Quintet · 1956

Night Session In Paris

Listen for
Sims on tenor saxophone and Eardley on trumpet share the front line over a Paris rhythm section. The track runs about seven and a half minutes, so count how many choruses each soloist takes.
Try this
Play the A section chords from the chart in a steady medium swing, then switch to playing only the root of each chord. The root-only version is the smaller step.

Step 7 of 8 Now playing✓ Heard

Hear a tenor saxophone quintet

Sonny Rollins · 1958 · Bebop

Sonny Rollins and the Contemporary Leaders

Listen for
Rollins plays tenor saxophone over Hawes on piano, Kessel on guitar, Vinnegar on bass and Manne on drums. The track is under four minutes, so see how much of the form you can follow.
Try this
Play the chart on guitar or piano and keep the beat steady for the full 32 bars. Soloing over the changes is a bigger step; the smaller version is to play only the root of each chord in the A section.

Step 8 of 8 Now playing✓ Heard

Hear an organ quartet

Larry Young · 1962 · Bebop

“I Found a New Baby”, Groove Street

Listen for
The lineup has organ, tenor saxophone, guitar and drums, with no bass player. Listen for what the organ plays in the bass range.
Try this
Play the chart's chords with your right hand and the chord roots with your left hand, one root per bar to start.

More great versions

4 more, from 1944 to 1973. Tap a cover to play it here.

  1. Dexter Gordon Quintet1944
  2. Charlie Parker1946
  3. Lester Young, Nat King Cole and Buddy Rich1946 · Swing
  4. Joe Venuti - Zoot Sims Quintet1973 · Bebop

How the tune works

E♭ majorusual key
32 barsA · A · B · A form
C minor · E♭ majorkeys it moves between

Each A section starts in C minor with Cm7, A♭7 G7, Cm7 and C7. The last four bars move to E♭ major through F7, B♭7 and E♭6. The first A ends with A♭7 G7 to lead back to the repeat, and the second A ends on E♭6. The bridge begins in C minor on G7 and Cm7, then turns to E♭ major with F7, B♭7 and G7, which leads back into Cm7 for the last A. These key areas follow the iReal Pro chart and leave out passing chords.

Play the changes

E♭ major
Open in iReal Pro ↗
A10 bars
Cm7
A♭7G7
Cm7
C7
F7
B♭7
1.E♭6
A♭7G7
2.E♭6
E♭6
B8 bars
G7
G7
Cm7
Cm7
F7
F7
B♭7
G7
A8 bars
Cm7
A♭7G7
Cm7
C7
F7
B♭7
E♭6
A♭7G7

Chart from iReal Pro's Jazz 1460 playlist, contributed by its users.