Johnny Green, music · Edward Heyman, lyrics · Number one for Bing Crosby, 1931
Out of Nowhere
Out of Nowhere is a 1931 song by Johnny Green and Edward Heyman that Bing Crosby took to number one. The form runs A, B, A, C, so the last eight bring a different ending. Charlie Parker, Stan Getz, Dave Brubeck and Chet Baker all recorded it.
Listen in this order
The path starts with the 1931 vocal hit and Ella Fitzgerald's 1939 record, then moves to Charlie Parker's quintet and Stan Getz's quartet. It continues with two 1954 sets by Dave Brubeck and Chet Baker and ends with two October 1975 versions, one with two tenor saxes and one by Sonny Criss.
Paul Desmond plays alto sax with Brubeck's piano, Bob Bates on bass and Joe Dodge on drums. This live track runs 8:04, much longer than the Getz version.
Try it on your instrument
Count the 32 along with the record and say the section letters aloud as they pass: A, B, A, C. If you lose the count, wait for the next and start again.
The Complete Pacific Jazz Live Recordings of the Chet Baker Quartet with Russ Freeman
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Listen for
Chet Baker plays trumpet with Russ Freeman's piano, Carson Smith's bass and Bob Neel's drums. There is no second horn, so the piano and trumpet carry the harmony.
Try it on your instrument
Play the from the chart in order: , , Am7, Am7, , E♭7, Am7, . Then play the melody over them if you can.
Zoot Sims & Eddie "Lockjaw" Davis (with the Oscar Peterson Trio) · 1975
“Out of Nowhere (Live in Geneva)”, The Tenor Giants Featuring Oscar Peterson
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Listen for
Two tenor saxophones play with a of Oscar Peterson on piano, Niels-Henning Ørsted Pedersen on bass and Louis Bellson on drums. Try to tell the two tenors apart.
Try it on your instrument
Sing or hum the tune along with the record and say each as it arrives: , then to , then Gmaj7 again, then to .
Sonny Criss plays alto sax with Dolo Coker on piano, Larry Gales on bass and Jimmie Smith on drums. Follow the bass line through the 32 .
Try it on your instrument
Play only the root of each from the chart on bass or with your left hand while the record plays. A smaller version is to play the roots of the first only.
The tune's layout, its keys and the chord chart, for anyone who wants to play along.
Show the form and chords
How the tune works
G majorusual key
32 barsA · B · A · C form
G majorkey centers
56–152 bpmhow fast players take it, across 3 transcribed solos (Weimar Jazz Database)
A8 bars
B8 bars
A8 bars
C8 bars
G
The opens with two of , moves to and , returns to Gmaj7 for two bars, and ends on and . The starts on and E7♭9, stays on Am7, plays two bars of E♭7, and finishes on Am7 and . The second A section repeats the first. The starts like B with Am7 and E7♭9, then moves through Am7, , Bm7 with , Am7 with D7, and a closing Am7 with D7. The whole form is read as , with the minor and the E♭7 bars treated as passing colors inside it. The come from the iReal Pro chart.