Arthur Johnston, music · Johnny Burke, lyrics · Title song of the 1936 film Pennies from Heaven
Pennies from Heaven
Arthur Johnston and Johnny Burke wrote Pennies from Heaven for the 1936 Bing Crosby film. The song stays in a bright major , with one brief shadowy passing through the first part. The song earned an Academy Award nomination, and Billie Holiday, Count Basie and Lester Young recorded it.
Listen in this order
The path starts with Bing Crosby's 1936 hit and Billie Holiday's record from the same year. It continues with a Sarah Vaughan trio vocal, Lester Young's live set, Stan Getz with the Oscar Peterson Trio, a Louis Armstrong festival performance, a long live Oscar Peterson trio take and an organ quartet with Eddie "Lockjaw" Davis.
Teddy Wilson and His Orchestra featuring Billie Holiday · 1936
“Pennies from Heaven (Take 1)”, Single: Brunswick 7789
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Listen for
The band has trumpet, clarinet and tenor saxophone with Wilson's piano, guitar, bass and drums behind Holiday. Pick out each horn as it plays around her voice.
Try it on your instrument
Play the from the chart (, , , Fmaj7, , D7, , G7), then play the 's phrase again to hear how the song returns to C.
“Pennies from Heaven (live at Olivia Davis's Patio Lounge)”, In Washington, D.C. 1956, Vol. 4
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Listen for
The take runs 6:19, so Young plays the several times with a piano, bass and drums trio. Count the choruses by listening for the return of the opening phrase.
Try it on your instrument
Play the last eight of the chart (, , , , Dm7, , , Dm7 G7) one bar per . Then play only the chord roots along with the record.
“Pennies from Heaven (Live at Town Tavern Club, Toronto, 1958)”, On the Town with the Oscar Peterson Trio
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Listen for
The trio has no drummer, so the guitar and bass keep the time while Peterson plays. Count the by listening for the return of the opening phrase.
Try it on your instrument
Play all four sections of the chart in order (A, B, A, C) and then repeat from the top. If you can solo, take one of tones; the smaller version is to play the chord roots only.
Eddie "Lockjaw" Davis with Shirley Scott · 1958 · Soul jazz
Smokin'
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Listen for
Scott's organ plays the under Davis's tenor saxophone, so the harmony and the bass line come from one instrument.
Try it on your instrument
Play the whole chart as a medium-tempo swing, A, B, A, C. If you can improvise, solo for one on the chart's ; the smaller version is to play the chord roots and hum the tune.
The tune's layout, its keys and the chord chart, for anyone who wants to play along.
Show the form and chords
How the tune works
C majorusual key
32 barsA · B · A · C form
C majorkey centers
A8 bars
B8 bars
A8 bars
C8 bars
C
The runs 32 in four 8-bar strains, which JazzStandards.com labels A, B, A and C. The first A plays one four-bar pattern twice: , , and . The B strain begins with and , stays on Fmaj7 for two bars, and then plays two bars of and two bars of G7. The second A repeats the opening four bars and then plays Gm7, C7 and two bars of Fmaj7. The C strain plays Dm7, , Em7, , Dm7 and G7 for one bar each. It ends on C6 and a Dm7 G7 bar that leads back to the top. The stays for all 32 bars.