Jimmy Van Heusen, music · Johnny Burke, lyrics · Introduced by Dorothy Lamour in And the Angels Sing, 1944
It Could Happen to You
It Could Happen to You is a 1943 song by Jimmy Van Heusen and Johnny Burke. The 32 stay in and use climbing, tense-sounding and short falling turns. Bud Powell, Miles Davis, Sonny Rollins, Sonny Clark, Chet Baker and Keith Jarrett all recorded it.
Listen in this order
Start with a 1943 vocal, then hear a solo piano, a quintet, a solo tenor sax, a sextet, a vocal quartet, a live trumpet quartet and a long piano trio. Each step plays the same 32 in a different setting.
The track runs 6:40, with Miles Davis on trumpet and John Coltrane on tenor sax over a piano, bass and drums . Compare how each horn plays over the same 32 .
Try it on your instrument
Play the (, , , , Fm7, B♭7, E♭maj7 , Fm7 B♭7), putting two chords in the that have two names.
The track is short, under three minutes, with Baker's voice, Kenny Drew's piano, Sam Jones on bass and Danny Richmond on drums. Follow the voice first, then the piano behind it.
Try it on your instrument
Sing or play the melody and stop on the last of each section: at the end of the first A, at the end of the .
Herb Ellis plays guitar on this track from his 1956 debut album Ellis in Wonderland, which was recorded in Hollywood between December 1955 and January 1956.
“It Could Happen to You (Live)”, Swiss Radio Days Jazz Series, Vol. 40
Sonny Rollins plays this with bassist Henry Grimes and drummer Pete La Roca at Radio Studio Zurich on March 5, 1959. The trio has tenor sax, bass and drums and no piano.
The tune's layout, its keys and the chord chart, for anyone who wants to play along.
Show the form and chords
How the tune works
E♭ majorusual key
32 barsA · B · A · C form
E♭ majorkey centers
A8 bars
B8 bars
A8 bars
C8 bars
E♭
Each starts on and moves up through , and before it returns to E♭maj7. , and close the phrase and lead to Fm7 at the start of the next section. The opens with Fm7 and , resolves to E♭maj7, and then uses to reach , followed by , Fm7 and B♭7. The opens the same way, with Fm7 and B♭7 to E♭maj7 , then Gm7♭5 C7♭9, Fm7 and B♭7, and ends with an E♭maj7 Cm7 and a last Fm7 B♭7. The tune stays in throughout, and the in the B and C sections are short moves that return to it. These names follow the iReal Pro chart.