Jazz Changes

George Shearing, music · George David Weiss, lyrics (as B. Y. Forster) · Written in 1952 as a radio theme for the Birdland club in New York

Lullaby of Birdland

Lullaby of Birdland is a 1952 George Shearing tune, written as a radio theme for the Birdland club. The chords move between F minor and A♭ major, and three of its four eight-bar sections nearly repeat. You'll hear it on records by Sarah Vaughan, Ella Fitzgerald, Mel Tormé and Erroll Garner, among many others.

▶ Plays the whole path in order, one recording after another.

  1. 1 Learn the song George Shearing Quintet
  2. 2 Hear it sung Sarah Vaughan with Clifford Brown
  3. 3 Compare a second singer Ella Fitzgerald with Sy Oliver
  4. 4 Hear it led by a horn Stan Getz Quintet
  5. 5 Hear a piano trio Erroll Garner Trio
  6. 6 Hear it with a horn band Mel Tormé and the Marty Paich Dek-Tette
  7. 7 Hear it on guitars Biréli Lagrène Gipsy Trio
  8. 8 Hear a modern tribute Dianne Reeves

How the tune works

A♭ majorusual key
32 barsA · A² · B · A³ form
F m → A♭ → F m → A♭ → F m → A♭key centers

Thirty-two bars in four sections of eight, A A B A. Each A opens in F minor with Fm7 and Dm7♭5, then Gm7♭5 and C7♭9. It repeats Fm7 and Dm7♭5 and turns to A♭ major with B♭m7 and E♭7. Bars 5 to 7 play A♭maj7 and Fm7, B♭m7 and E♭7, then A♭maj7, and bar 8 turns back to minor with Gm7♭5 and C7♭9. The second A follows the same path until bar 15, which plays A♭maj7 and E♭7 before it settles on A♭maj7 in bar 16. The bridge stays in A♭ major and plays four bars twice: F7, B♭m7, B♭m7 with E♭7, then A♭maj7, with a C7♭9 turnaround at the end of the second pass. The last A matches the first.

The usual changes in A♭, with the tune starting in F minor. Each A section turns to A♭ major in bars 4 and 5, and the bridge stays in A♭.

Key A♭ major
Abars 1–8
Bar 1: F minorFm7Dm7♭5
Bar 2: Gm7♭5C7♭9
Bar 3: Fm7Dm7♭5
Bar 4: B♭m7E♭7
Bar 5: A♭ majorA♭maj7Fm7
Bar 6: B♭m7E♭7
Bar 7: A♭maj7
Bar 8: Gm7♭5C7♭9
A²bars 9–16
Bar 9: F minorFm7Dm7♭5
Bar 10: Gm7♭5C7♭9
Bar 11: Fm7Dm7♭5
Bar 12: B♭m7E♭7
Bar 13: A♭ majorA♭maj7Fm7
Bar 14: B♭m7E♭7
Bar 15: A♭maj7E♭7
Bar 16: A♭maj7
Bbars 17–24
Bar 17: F7
Bar 18: B♭m7
Bar 19: B♭m7E♭7
Bar 20: A♭maj7
Bar 21: F7
Bar 22: B♭m7
Bar 23: B♭m7E♭7
Bar 24: A♭maj7C7♭9
A³bars 25–32
Bar 25: F minorFm7Dm7♭5
Bar 26: Gm7♭5C7♭9
Bar 27: Fm7Dm7♭5
Bar 28: B♭m7E♭7
Bar 29: A♭ majorA♭maj7Fm7
Bar 30: B♭m7E♭7
Bar 31: A♭maj7
Bar 32: Gm7♭5C7♭9

The source is a LearnJazzStandards sheet for B♭ instruments, moved down a whole step here. It lists D♭7 above Gm7♭5 in bars 2, 8, 10 and 26 and Gm7♭5 above A♭maj7 in bar 24 as alternatives, and those are left out. The sheet matches Wikipedia's outline of I, vi, ii7, V7 in the major and I, viø7, iiø7, V7 in the minor. Wikipedia and JazzStandards.com give the original key as F minor or A♭ major, and standardrepertoire.com lists B♭ as a common key, so use the key buttons to move the chart. No sheet of Shearing's 1952 quintet arrangement was found, so recordings may use other substitutions.

Source: LearnJazzStandards chord chart for B♭ instruments (George Shearing, © 2012), moved down a whole step to concert A♭; outline checked against Wikipedia

Listen in this order

Play all 8 on YouTube ↗

The path starts with Shearing's own quintet and two sung records from 1954. It then moves to a tenor saxophone quintet, a live piano trio, Mel Tormé with Marty Paich's Dek-Tette, a guitar trio without drums and a tribute album to Sarah Vaughan.

  1. Step 1 · Learn the song Now playing

    George Shearing Quintet 1952

    Lullaby of Birdland

    First recording of the song

    Listen for
    The first chorus plays the two A sections in unison, then the bridge in harmony, then the last A. Dick Garcia on guitar and Joe Roland on vibraphone solo in the second chorus, and Shearing solos in the third.
    Try this
    Play the first A section (bars 1 to 8) from the chart, melody and chords. Check that the second and last A sections start the same way.
  2. Step 2 · Hear it sung Now playing

    Sarah Vaughan with Clifford Brown 1954

    Sarah Vaughan

    Scat singing

    Listen for
    Vaughan sings with a sextet that has Clifford Brown on trumpet, Paul Quinichette on tenor saxophone and Herbie Mann on flute. Listen for her scat singing.
    Try this
    Sing or hum the first A section with her, then play it on your instrument. Compare where she stretches or shortens notes with where you do.
  3. Step 3 · Compare a second singer Now playing

    Ella Fitzgerald with Sy Oliver and His Orchestra 1954

    Decca single

    Listen for
    Sy Oliver conducts the orchestra and chorus behind Ella. Hank Jones plays piano and Bill Doggett plays organ in the band.
    Try this
    Play the melody on your instrument along with her first chorus, and match where she ends each phrase.
  4. Step 4 · Hear it led by a horn Now playing

    Stan Getz Quintet 1952

    Chamber Music by the Stan Getz Quintet

    Tenor saxophone up front

    Listen for
    Stan Getz leads on tenor saxophone with Jimmy Raney on guitar, Duke Jordan on piano, Bill Crow on bass and Frank Isola on drums. The track runs about two and a half minutes.
    Try this
    Play the root of each bar's first chord from the chart along with the recording. If you lose your place, wait for the next A section and rejoin.
  5. Step 5 · Hear a piano trio Now playing

    Erroll Garner Trio 1955

    “Lullaby of Birdland (The Complete Concert by the Sea)”, The Complete Concert by the Sea

    Piano, bass and drums only · Live recording

    Listen for
    Garner plays with Eddie Calhoun on bass and Denzil Best on drums, so the trio carries the chords and the form without horns or a singer.
    Try this
    Play the A section chords from the chart on piano or guitar with the recording, first chord of each bar. Add the second chord in two-chord bars once the first pass feels easy.
  6. Step 6 · Hear it with a horn band Now playing

    Mel Tormé and the Marty Paich Dek-Tette 1956

    Mel Tormé with the Marty Paich Dek-Tette

    Scat singing

    Listen for
    Tormé sings with Marty Paich's Dek-Tette, a band with trumpets, trombone, saxophones, French horn and tuba. Listen for his scat singing.
    Try this
    Listen twice. First follow the singer against the chart's A sections. Then listen only to the bass and drums and tap the beat.
  7. Step 7 · Hear it on guitars Now playing

    Biréli Lagrène Gipsy Trio 2008

    Gipsy Trio

    Two guitars and bass, no drums

    Listen for
    Lagrène and Hono Winterstein play guitars and Diego Imbert plays double bass. The lineup has no drums, and the take runs under three minutes.
    Try this
    Strum the first chord of each bar from the chart along with the recording. Add the second chord in two-chord bars once that feels steady.
  8. Step 8 · Hear a modern tribute Now playing

    Dianne Reeves 2000

    The Calling: Celebrating Sarah Vaughan

    Tribute to Sarah Vaughan

    Listen for
    Mulgrew Miller plays piano, and Billy Childs and Patrick Gandy conduct an orchestra. Compare Reeves's phrasing with Sarah Vaughan's in step 2.
    Try this
    Play the Vaughan and Reeves tracks back to back and write down one difference in how each phrases the same bars.

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