Vincent Youmans, music · Billy Rose and Edward Eliscu, lyrics · Introduced in the Broadway musical Great Day
More Than You Know
More Than You Know is a 1929 song by Vincent Youmans, with words by Billy Rose and Edward Eliscu. Its passes through and before it returns to . Ruth Etting, Billie Holiday, Sonny Rollins, Coleman Hawkins and Stanley Turrentine recorded it.
Listen in this order
The path opens with vocals by Ruth Etting, Dinah Washington and Ella Fitzgerald, then moves to instrumentals. The Benny Goodman Trio, Coleman Hawkins, Stanley Turrentine, Sonny Criss and Sonny Rollins with Thelonious Monk each play the same song in a different setting.
“More Than You Know (Take 2)”, Lady Day: The Complete Billie Holiday On Columbia
Billie Holiday recorded the song with Teddy Wilson and his orchestra on January 30, 1939, and Brunswick issued it as 8319 with Sugar on the other side. The linked upload is take 2.
“More Than You Know (1959 Version)”, Oscar Peterson Plays the Harry Warren and Vincent Youmans Song Books
Oscar Peterson recorded the song with Ray Brown on bass and Ed Thigpen on drums at Universal Recording in Chicago in sessions that ran from July 14 to August 9, 1959. The track runs 2:57.
Zoot Sims recorded the song with the Bill Holman Orchestra at RCA Studios in Los Angeles on September 20 and 21, 1976. Pablo issued it on Hawthorne Nights in 1977.
Stacey Kent first released her version on the album Close Your Eyes, Candid CCD79737, in 1997. The linked track runs 5:35 on the compilation Cool Jazz For Hot Nights.
The tune's layout, its keys and the chord chart, for anyone who wants to play along.
Show the form and chords
How the tune works
C majorusual key
32 barsA · A · B · A form
C major → E minor → G major → C majorkey centers
A8 bars
A8 bars
B8 bars · bridge
A8 bars
C
E m
G
C
The is 32 in form. Every opens with and , and bars 3 and 4 play and . The first A continues with , Dm7 G7, Em7 A7 and Dm7 G7. The second A continues with Em7 A7, Dm7 G7, C6 and , which leads into the . The bridge plays Em7 , F♯m7♭5 and Em7 for three bars in , then , Em7 and Am7 D7 for three bars in . Dm7 G7 in bars 7 and 8 of the bridge brings back for the last A. The last A matches the second A through bar 6, then plays C6 Am7 and Dm7 G7 as a . The and the count as part of the surrounding , so the page lists C major, E minor, G major and C major. These follow the iReal Pro chart.