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Hear the lyric
Blossom Dearie · 1958 · Vocal
Once Upon a Summertime...
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Listen for Listen for Dearie’s voice and piano beside Lowe’s guitar, Brown’s bass and Thigpen’s drums. Try this Play the melody once while singing its rhythm on one syllable.
Step 2 →
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Hold the pulse
Fats Waller · 1937
Tea for Two / Keepin’ Out of Mischief Now
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Listen for Listen to Waller’s solo piano without a rhythm section. Try this Play the melody with the right hand and steady quarter notes with the left.
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Hear the solo piano
Art Tatum · 1933
Tea for Two / Sophisticated Lady
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Listen for Listen for how one piano carries the tune throughout the side. Try this Play one eight bar section alone, adding simple bass notes under the melody.
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Hear the trio
The Dave Brubeck Trio · 1949 · Bebop
Blue Moon / Tea for Two
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Listen for Listen for Brubeck’s piano over Crotty’s bass and Tjader’s drums. Try this Play the melody while a partner keeps quarter notes; alone, tap that pulse with a foot.
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Follow the saxophone
Lester Young with the Oscar Peterson Trio · 1952
“Tea For Two”, Lester Young with the Oscar Peterson Trio No. 2
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Listen for Listen for Young’s tenor saxophone over Peterson, Kessel, Brown and Heard. Try this Play the melody once, then leave one measure of space after each phrase.
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Follow the guitar
Tal Farlow · 1955 · Bebop, Cool jazz
“Tea For Two”, Tal Farlow's Finest Hour
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Listen for Listen for Farlow’s guitar beside Williamson’s piano, Mitchell’s bass and Levey’s drums. Try this Play the melody on one string if possible; use one comfortable position for a smaller version.
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Hear the trio take
Bud Powell Trio · 1950
“Tea for Two (Take 5)”, Piano Interpretations by Oscar Peterson, Art Tatum, Teddy Wilson, Bud Powell
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Listen for Listen for Powell’s piano with Ray Brown’s bass and Buddy Rich’s drums on Take 5. Try this Play the melody over a steady bass pulse; if comfortable, add one short improvised response.
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Hear the trio
Thelonious Monk · 1963 · Post-bop
Criss-Cross
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Listen for Listen for Monk’s piano with Ore’s bass and Dunlop’s drums. Try this Play the melody once with simple chords, then vary where each chord lands.
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