Jazz Changes

Charlie Parker, music · First recorded for Dial by the Charlie Parker Quintet in New York, 1947

Scrapple from the Apple

Scrapple from the Apple is a bebop tune by Charlie Parker, first recorded in 1947. It puts a new melody on the chords of Honeysuckle Rose and the rhythm changes bridge. Gerry Mulligan, Dexter Gordon and Keith Jarrett's trio all recorded it.

▶ Plays the whole path in order, one recording after another.

  1. 1 Learn the song Charlie Parker Quintet
  2. 2 Hear Parker live Charlie Parker Quintet
  3. 3 Hear a second alto player Phil Woods with Red Garland
  4. 4 Follow the chart Stan Getz and Gerry Mulligan
  5. 5 Hear a saxophone with a piano trio Sonny Stitt with the Oscar Peterson Trio
  6. 6 Hear a tenor saxophone Dexter Gordon
  7. 7 Hear it without a piano Jim Hall
  8. 8 Hear a modern trio Keith Jarrett, Gary Peacock, Jack DeJohnette

How the tune works

F majorusual key
32 barsA · A² · B · A³ form
Fkey centers

Thirty-two bars in four sections of eight, A A B A, in F. The A sections use the chords of Honeysuckle Rose. Each one starts with Gm7 and C7, one bar each, played twice, then settles on Fmaj7 in bar 5. Bar 6 plays Gm7 and C7 again, and bar 7 plays Fmaj7 and Gm7. The first A ends with Am7 and D7, which lead back to the start of the second A, and the second A ends on F. The bridge follows the rhythm changes bridge in F: A7, D7, G7 and C7, two bars each. The last A brings the tune home to F.

The changes under Gerry Mulligan's baritone solo on his October 1957 session with Stan Getz, transcribed in the Weimar Jazz Database. Other charts differ in places.

Key F major
Abars 1–8
Bar 1: Gm7
Bar 2: C7
Bar 3: Gm7
Bar 4: C7♭9
Bar 5: Fmaj7
Bar 6: Gm7C7
Bar 7: Fmaj7Gm7
Bar 8: Am7D7
A²bars 9–16
Bar 9: Gm7
Bar 10: C7
Bar 11: Gm7
Bar 12: C7♭9
Bar 13: Fmaj7
Bar 14: Gm7C7
Bar 15: Fmaj7Gm7
Bar 16: F
Bbars 17–24
Bar 17: A7
Bar 18: A7
Bar 19: D7
Bar 20: D7
Bar 21: G7
Bar 22: G7
Bar 23: C7
Bar 24: C7
A³bars 25–32
Bar 25: Gm7
Bar 26: C7
Bar 27: Gm7
Bar 28: C7♭9
Bar 29: Fmaj7
Bar 30: Gm7C7
Bar 31: Fmaj7Gm7C7♭9
Bar 32: F

Use the key buttons to move the chart to the key you play in.

Source: Weimar Jazz Database: Gerry Mulligan, Scrapple from the Apple

Listen in this order

Play all 8 on YouTube ↗

The path opens with Parker's 1947 studio record and a live set from 1950. It then moves through Phil Woods's quintet, the Mulligan and Getz session the chart comes from, Sonny Stitt with a piano trio and Dexter Gordon in Paris, and ends with a guitar trio and a piano trio.

  1. Step 1 · Learn the song Now playing

    Charlie Parker Quintet 1947

    Scrapple from the Apple / Don't Blame Me

    F major · 4/4 · swing · 165 bpm (medium up) · First recording of the tune

    Listen for
    Parker plays alto sax and Miles Davis plays trumpet, with Duke Jordan on piano, Tommy Potter on bass and Max Roach on drums. Count the 32-bar form: A, A, bridge, A.
    Try this
    Play the chart's chords along with the recording, first chord of each bar only. If you lose your place, wait for the bridge at bar 17 and come back in.
  2. Step 2 · Hear Parker live Now playing

    Charlie Parker Quintet 1950

    “Scrapple from the Apple (live at St Nicholas Arena)”, Bird at St. Nick's

    Live recording

    Listen for
    The tape favors Parker's solos, so follow his alto line through the 32-bar form. Red Rodney plays trumpet, Al Haig piano, Tommy Potter bass and Roy Haynes drums.
    Try this
    Pick one of Parker's choruses and tap the 8-bar bridge each time it comes around. Then play the bridge chords (A7, D7, G7, C7, two bars each, in F) with the recording, and use the key buttons if the take sits elsewhere.
  3. Step 3 · Hear a second alto player Now playing

    Phil Woods with Red Garland 1957

    Sugan

    Listen for
    Phil Woods plays alto sax and Ray Copeland plays trumpet, the same two instruments as Parker and Davis on the 1947 record. The take runs 7:38.
    Try this
    Count the 32-bar choruses as they pass, tapping beat 1 of each A section. When you can count to the end, play the chart's first chord of each bar with the recording.
  4. Step 4 · Follow the chart Now playing

    Stan Getz and Gerry Mulligan 1957

    Stan Getz and Gerry Mulligan / Stan Getz and the Oscar Peterson Trio

    G minor · 4/4 · swing · 252 bpm (up) · Baritone saxophone

    Listen for
    Mulligan's baritone sax solo runs four choruses, from about 0:58 to 2:59. The chord chart on this page comes from that solo.
    Try this
    Play the chart along with Mulligan's four choruses, first chord of each bar only. The tempo is about 252 beats per minute. If that is too fast, slow the recording down, or play only the first chord of each four-bar line.
  5. Step 5 · Hear a saxophone with a piano trio Now playing

    Sonny Stitt with the Oscar Peterson Trio 1959

    Sonny Stitt Sits In with the Oscar Peterson Trio

    Listen for
    Stitt plays alto sax with Oscar Peterson on piano, Ray Brown on bass and Ed Thigpen on drums. The take runs 4:21.
    Try this
    Listen once for the bass alone. Then play the root of each bar's first chord along with the recording, A section first.
  6. Step 6 · Hear a tenor saxophone Now playing

    Dexter Gordon 1963

    Our Man in Paris

    Listen for
    Gordon plays tenor sax, a lower voice than Parker's alto. Bud Powell is on piano, Pierre Michelot on bass and Kenny Clarke on drums.
    Try this
    Play the bridge chords from the chart (A7, D7, G7, C7, two bars each, in F) with the recording. If they do not fit, find the key by ear and move the chart with the key buttons.
  7. Step 7 · Hear it without a piano Now playing

    Jim Hall 1975

    Jim Hall Live!

    Live recording · Guitar trio, no piano

    Listen for
    With no piano in the trio, the chords come from Hall's guitar. Listen for how the guitar and Don Thompson's bass mark the changes during the solos.
    Try this
    Play only the root of each bar's first chord along with the recording. Guitar players can add the third and seventh to make a three-note chord on each root.
  8. Step 8 · Hear a modern trio Now playing

    Keith Jarrett, Gary Peacock, Jack DeJohnette 1998

    “Scrapple from the Apple (Live)”, After the Fall

    Live recording · Piano trio, no horns

    Listen for
    Jarrett, Peacock and DeJohnette play as a trio with no horn. The take runs 8:47, the longest on the path.
    Try this
    Play through the chart once with the recording, first chord of each bar only. If you can play the melody, try it over the trio's opening chorus.

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