Jazz Changes

Credited to Sonny Rollins, music · Based on a Bahamian folk song · Recorded by Randy Weston in 1955 and by Rollins in Hackensack, New Jersey, in 1956

St. Thomas

St. Thomas is a 16-bar instrumental credited to Sonny Rollins, based on a folk song from the Bahamas. Players like its plain changes, mostly from one key, which suit beginners and experienced players alike. You will hear it on records by Sonny Rollins, Randy Weston, Jim Hall, Ron Carter and Tommy Flanagan.

▶ Plays the whole path in order, one recording after another.

  1. 1 Learn the song Sonny Rollins
  2. 2 Hear it stretched live Sonny Rollins with the Heikki Sarmanto Trio
  3. 3 Hear the tune before Rollins Randy Weston Trio
  4. 4 Hear congas in the band Dave Pike
  5. 5 Hear it with guitar and bass only Jim Hall / Ron Carter Duo
  6. 6 Hear it as a piano trio Tommy Flanagan, Ron Carter and Tony Williams
  7. 7 Hear it with words Mark Murphy
  8. 8 Hear a pianoless quartet today Stephen Riley

How the tune works

C majorusual key
16 barsA · B form
Ckey centers

St. Thomas runs 16 bars in two sections of eight, and the whole tune stays in C. The A section is two matching four-bar phrases: a bar of C6, a bar of Em7 and A7, a bar of Dm7 and G7, and a bar of C6, played twice. The B section starts with Em7♭5, A7, Dm7 and G7, one bar each. Bar 13 moves from C to C7, which pulls to Fmaj7 in bar 14, and an F♯ diminished chord passes up from there. Bar 15 is C over G and then G7, and bar 16 is C7 with a ninth before the A section returns.

The changes under Sonny Rollins's first tenor solo on Saxophone Colossus (1956), transcribed in the Weimar Jazz Database. Lead sheets may differ in a few chords.

Key C major
Abars 1–8
Bar 1: C6
Bar 2: Em7A7
Bar 3: Dm7G7
Bar 4: C6
Bar 5: C6
Bar 6: Em7A7
Bar 7: Dm7G7
Bar 8: C6
Bbars 9–16
Bar 9: Em7♭5
Bar 10: A7♯9
Bar 11: Dm7
Bar 12: G7
Bar 13: C6C7
Bar 14: Fmaj7F♯°
Bar 15: C/GG7
Bar 16: C9

Use the key buttons to move the chart to the key you play in.

Source: Weimar Jazz Database: Sonny Rollins, St. Thomas

Listen in this order

Play all 8 on YouTube ↗

The path starts with the 1956 Sonny Rollins quartet and a long 1972 concert version, then goes back to Randy Weston's 1955 trio. It continues with a vibes quintet with congas, a guitar and bass duo, a piano trio, a vocal with words and a pianoless tenor and trumpet quartet from 2018.

  1. Step 1 · Learn the song Now playing

    Sonny Rollins 1956

    Saxophone Colossus

    C major · 4/4 · latin · 207 bpm (up) · Sonny Rollins's original record

    Listen for
    Rollins's first solo starts at 0:49 and lasts five choruses, so the 16-bar chord pattern comes around five times. Tommy Flanagan on piano and Max Roach on drums also solo.
    Try this
    Play the 16-bar chart in C at a slow tempo, one chord per bar and two chords in the bars that have two. Use plain A7 and G7 if the altered chords are new. Then play it again and count five choruses under Rollins's first solo. Smaller version: play only the eight-bar A section and repeat it.
  2. Step 2 · Hear it stretched live Now playing

    Sonny Rollins with the Heikki Sarmanto Trio 1972

    Live at Finlandia Hall, Helsinki 1972

    Takes of ten minutes or more · Recorded live

    Listen for
    The take runs 17:11, about ten minutes longer than the 1956 record. Heikki Sarmanto plays a Fender Rhodes electric piano where the 1956 record has a piano.
    Try this
    Tap the 16-bar form along with the first two minutes and mark where each chorus begins. Smaller version: tap along to the first four bars only.
  3. Step 3 · Hear the tune before Rollins Now playing

    Randy Weston Trio 1955

    “Fire Down There”, Get Happy with the Randy Weston Trio

    Recorded before Rollins

    Listen for
    Piano, bass and drums play it in 2:53, less than half the length of the Rollins record. The tune goes by a different name here, Fire Down There.
    Try this
    Play the chart in C on piano or guitar, then listen to this trio and decide whether its chords match the chart. Smaller version: listen for the bass line only and hum it.
  4. Step 4 · Hear congas in the band Now playing

    Dave Pike 1962

    Limbo Carnival

    With conga drums

    Listen for
    Ray Barretto's conga and Willie Bobo's drums share the rhythm with the bass. Dave Pike leads on vibes or marimba, and Tommy Flanagan plays piano.
    Try this
    Play the chart's A section with a bass note on beat one and the chord on the off-beats. Smaller version: play only the bass notes, one per bar.
  5. Step 5 · Hear it with guitar and bass only Now playing

    Jim Hall / Ron Carter Duo 1972

    Alone Together

    Guitar and bass only

    Listen for
    Only guitar and bass play, so each of them carries part of the harmony and the rhythm. The track runs 4:44.
    Try this
    Play the chart on guitar or piano in two layers, a bass note on beat one and a chord on the beats after it. Smaller version: play only the bass note of each chord.
  6. Step 6 · Hear it as a piano trio Now playing

    Tommy Flanagan, Ron Carter and Tony Williams 1983

    The Master Trio

    Piano, bass and drums only

    Listen for
    Only piano, bass and drums play. Ron Carter's bass solo is full of quotations.
    Try this
    Play the chart in C on piano with roots in the left hand and a three-note chord in the right, one chord per bar. Smaller version: play only the A section, or only the roots.
  7. Step 7 · Hear it with words Now playing

    Mark Murphy 1981

    “Down St. Thomas Way”, Bop for Kerouac

    Sung with words

    Listen for
    A singer takes the lead, and the words are by Ray Passman and Herb Wasserman.
    Try this
    Hum the melody you know from the Rollins record, then listen to Murphy and notice where his phrases start and end against the 16 bars. Smaller version: follow only the first eight bars.
  8. Step 8 · Hear a pianoless quartet today Now playing

    Stephen Riley 2018

    Oleo

    C major · 4/4 · funk · 232 bpm · No piano

    Listen for
    With no chord instrument, the two horns talk to each other over bass and drums. Riley on tenor and Magnarelli on trumpet each take a solo.
    Try this
    Play the chart's roots as a bass line and sing or play the melody over it, with no chords. Smaller version: do it for the eight-bar A section only.

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