Herbie Hancock, music · First released on Maiden Voyage (Blue Note, 1965)
Dolphin Dance
Dolphin Dance is a Herbie Hancock tune from his 1965 Blue Note album Maiden Voyage. Its chords float between key centers a major third apart, which makes it a favorite and a challenge. You will hear it on records by Ahmad Jamal, Bill Evans, Grover Washington Jr. and Hancock himself.
▶ Plays the whole path in order, one recording after another.
- 1 Learn the song Herbie Hancock✓
- 2 Hear it as a trio piece Ahmad Jamal Trio✓
- 3 Hear the harmony with nothing else Herbie Hancock✓
- 4 Hear a saxophone lead Grover Washington Jr.✓
- 5 Compare a second pianist's trio Bill Evans Trio✓
- 6 Hear the 1965 bass and drums again Ron Carter, Herbie Hancock and Tony Williams✓
- 7 Hear a guitar lead Doug Raney Quartet✓
- 8 Hear a big-band arrangement WDR Big Band, Bob Mintzer✓
How the tune works
The chart runs 34 bars in four parts and never settles in one key. A is 12 bars. It opens on Cm7 and A♭maj7♯11, makes a quick ii–V toward G major with Am7, D7 and Gmaj7, then walks A♭m7, Fm7 and G7♯5 back to Cm7. Bars 11 and 12, Am7 and D7, point toward G again. B is 8 bars on G: Gmaj7, G7sus4 and slash chords over a G bass, then F7 chords over an F bass and an Em7 A7 ii–V. C is 6 bars. It starts on E♭7, runs Am7 D7 and Bm7, then E7 with Dm7, and finishes on C♯m7 and F♯7, a ii–V in B. D is 8 bars of pedal points. Dmaj7 and Cmaj7 sit twice over an E bass, then D♭maj7, B♭13♭9 and A♭maj7♯5 sit over an E♭ bass, and the last bar is G7♯5. The next chorus opens on Cm7. Writers who have analyzed the tune name E♭, G and B major as its main key centers, and charts often add a four-bar introduction (E♭maj7, D♭maj7/E♭, E♭maj7, Dm7♭5 G7♭9).
The changes as written in the iReal Pro chart shown on AllSolos, in E♭, with key labels added. The 34 bars run in four parts: A 12 bars, B 8, C 6 and D 8. Slash chords name the bass note after the slash.
Bar 8 holds two chords, Fm7 and G7♯5. The same iReal chart also lists a four-bar introduction (E♭maj7, D♭maj7/E♭, E♭maj7, Dm7♭5 G7♭9) that sits outside the 34 bars. Fake books write the last four bars in several ways: the first chord can be D♭maj7/E♭, E♭7sus4 or B♭m9/E♭, and the final bar can be Dm7♭5 or G7♯9.
Listen in this order
Play all 8 on YouTube ↗The path starts with Hancock's 1965 record, then moves through a piano trio, Hancock alone, a saxophone-led band, a second piano trio, the 1965 bass and drums with Hancock, a guitar quartet and a big band. Each step gives you one thing to hear and one thing to try.
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Step 1 · Learn the song Now playing
Herbie Hancock 1965
Maiden Voyage
Couldn't play this one here. Try the links below.
- Listen for
- Freddie Hubbard's trumpet solo runs from 1:14 to 3:24. Under the final bars of the form the bass stays on a low E♭ while the chords above it change.
- Try this
- Play the first 12 bars of the chart (the A part) on piano or guitar along with the record, one chord per bar and two in the split bars. Smaller version: play only the root of each chord, once per bar.
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Step 2 · Hear it as a trio piece Now playing
Ahmad Jamal Trio 1970
The Awakening
Couldn't play this one here. Try the links below.
- Listen for
- Only piano, bass and drums play, and the track lasts about five minutes. After the horn solos of the 1965 record, notice how the pianist carries the tune and the chords alone.
- Try this
- Play bars 13 to 20 of the chart (the B part), one chord per bar, slowly. Smaller version: play only the first two bars, Gmaj7 and G7sus4.
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Step 3 · Hear the harmony with nothing else Now playing
Herbie Hancock 1974
Dedication
Couldn't play this one here. Try the links below.
- Listen for
- With no bass or drums, the chord changes are easy to hear. Keep the chart in front of you and count how many times the 34 bars come around in eleven minutes.
- Try this
- Play the chart alone at a slow tempo, one chord per bar, and keep the time yourself without a metronome. Smaller version: play bars 1 to 12 only.
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Step 4 · Hear a saxophone lead Now playing
Grover Washington Jr. 1976
A Secret Place
Couldn't play this one here. Try the links below.
- Listen for
- A saxophone leads, and a percussion player sits beside the drummer, which the 1965 quintet did not have. The track runs a little under nine minutes.
- Try this
- Play bars 1 to 12 of the chart along with the record, one chord per bar and two in the split bars, and notice how the band's groove changes the feel of the same chords. Smaller version: clap the beat through the first minute.
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Step 5 · Compare a second pianist's trio Now playing
Bill Evans Trio 1977
I Will Say Goodbye
Couldn't play this one here. Try the links below.
- Listen for
- Compare this trio with Ahmad Jamal's: the same three instruments and a different pianist. This take runs about six minutes against Jamal's five.
- Try this
- Play the last eight bars of the chart (27 to 34) with a low E held under the first four chords and a low E♭ held under the next three. Smaller version: play only those two low notes with a simple triad on top.
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Step 6 · Hear the 1965 bass and drums again Now playing
Ron Carter, Herbie Hancock and Tony Williams 1977
Third Plane
Couldn't play this one here. Try the links below.
- Listen for
- Ron Carter on bass and Tony Williams on drums both played on the 1965 record. Here they work with Hancock as a trio, so there is no horn between you and the rhythm section.
- Try this
- Tap the beat and count the 34 bars with the chart, calling out A, B, C and D as each part starts. Smaller version: count only the first 12 bars.
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Step 7 · Hear a guitar lead Now playing
Doug Raney Quartet 1988
Something's Up
Couldn't play this one here. Try the links below.
- Listen for
- The guitar takes the lead role in a quartet with piano, bass and drums, and the track runs about nine minutes. Use the chart to keep track of where you are in the 34 bars.
- Try this
- If you play guitar, play the chart's chords for bars 1 to 12 with shapes you already know, one per bar and two in the split bars. Smaller version: play only the root and the third of each chord.
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Step 8 · Hear a big-band arrangement Now playing
WDR Big Band, Bob Mintzer 2026
Live video on the WDR BIG BAND YouTube channel
Couldn't play this one here. Try the links below.
- Listen for
- A full band plays the tune and two players take solos, Johan Hörlén on alto saxophone and Andy Hunter on trombone. Use the chart to hear where the written band parts give way to a solo.
- Try this
- During one of the two solos, follow the chart bar by bar and call out A, B, C and D as each part begins. Smaller version: follow only the first 12 bars of a solo.
More great versions
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Mel Lewis and the Jazz Orchestra 1980
Mel Lewis and the Jazz Orchestra Play the Compositions of Herbie Hancock: Live in Montreux
A live big-band version with a chart by Bob Mintzer, recorded at Montreux.
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Herbie Hancock Trio 1981
Herbie Hancock Trio with Ron Carter + Tony Williams
Hancock's trio with Ron Carter and Tony Williams, recorded in Tokyo in July 1981.
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Eddie Henderson Quintet 1989
Phantoms
A quintet of trumpet, vibraphone, piano, bass and drums, recorded April 20, 1989 for SteepleChase.
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Kazumi Watanabe 1989
Kilowatt
A guitar trio version from the 1989 album Kilowatt, with Bunny Brunel on bass and John Wackerman on drums.
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Chick Corea and Herbie Hancock 2011
The Musician
A live duo of Chick Corea and Herbie Hancock from Corea's month-long 70th birthday run at the Blue Note in 2011.
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Michael Schiefel and David Friedman 2020
Hiptoe
A duo for voice and vibraphone, recorded in summer 2020 and released in 2024 on the album Hiptoe.