Jazz Changes

Songs from 1958 to 1966, followed to now

Modal and post-bop through the years

Most of these tunes start with Miles Davis's Kind of Blue in 1959 and John Coltrane's records of 1959 and 1960. So What spends 16 on one sound, 8 bars slightly higher, then 8 bars home, and Coltrane and McCoy Tyner solo over just two in My Favorite Things. Herbie Hancock and Wayne Shorter, who played in Davis's quintet, add tunes of their own in the mid-1960s. From there the page follows these songs into trios, big bands, singers and hip-hop.

Through the years

  1. 1950s

    Davis writes Nardis for Cannonball Adderley's 1958 session, with Bill Evans on piano. In 1959 he records So What, All Blues, Freddie Freeloader and Blue in Green for Kind of Blue, and Evans's own trio records Blue in Green later that year. Coltrane records Giant Steps in March and May and Naima in December. The Sound of Music opens in November with My Favorite Things, sung by Mary Martin and Patricia Neway.

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  2. 1960s

    Coltrane records Equinox and plays Impressions, Naima and My Favorite Things live, stretching the last to about twenty minutes. Davis's quintet takes So What and All Blues much faster. Hancock records Cantaloupe Island, Dolphin Dance and Maiden Voyage, and Shorter Footprints and Speak No Evil. Wes Montgomery, Grant Green, Archie Shepp, Bobby Hutcherson and Ramsey Lewis cover them, and Eddie Jefferson adds words to So What.

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  3. 1970s

    Players take the tunes apart. McCoy Tyner plays Naima and My Favorite Things alone at the piano in Tokyo in 1972, and Hancock plays Cantaloupe Island, Dolphin Dance and Maiden Voyage alone there in 1974. Hubert Laws plays Equinox on flute with strings, George Benson opens a CTI album with So What, and Archie Shepp and Max Roach play Giant Steps as a duo with no piano or bass.

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  4. 1980s

    Tommy Flanagan, who played on Coltrane's Giant Steps, records it and Naima with his own trio in 1982 on an album for Coltrane. Cassandra Wilson sings her own words to Blue in Green in 1985, and Charlie Haden plays it twice. Bill Evans plays Nardis at Keystone Korner in September 1980 and dies on September 15, and Jimmy Raney and his son Doug name an album for it in 1983.

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  5. 1990s

    The tunes reach hip-hop and acid jazz. Us3 builds a Blue Note single on a sample of Cantaloupe Island in 1992, the year DJs spread Ronny Jordan's So What. Hancock, Shorter, Carter and Williams play So What live in Berkeley with Wallace Roney. Michael Brecker wins a 1996 Grammy for Impressions with McCoy Tyner's trio, and Pat Metheny's trio and Gonzalo Rubalcaba play Giant Steps.

  6. 2000s

    Shorter plays Footprints live in 2001 with his own quartet, about 35 years after the first recording. At Massey Hall Hancock, Michael Brecker and Roy Hargrove join So What and Impressions into one piece. George Coleman, Jimmy Cobb, Mike Stern and Ron Carter play Freddie Freeloader at Makor in 2002. Robert Glasper's trio adds Bilal's voice to Maiden Voyage, and Brad Mehldau plays My Favorite Things alone in 2006.

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  7. 2010s

    Joey Alexander records Giant Steps in 2014 for his first album, and Camille Bertault sings French words she wrote to Coltrane's solo. Denny Zeitlin plays Speak No Evil alone, and the WDR Big Band and Antonio Adolfo arrange it. The SFJAZZ Collective plays All Blues as an octet, Jack DeJohnette, Ravi Coltrane and Matthew Garrison add electronics to Blue in Green, and Lionel Loueke plays Cantaloupe Island alone on guitar and voice.

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  8. 2020s

    Ezra Collective, a London quintet, reworks Footprints in 2020 for Blue Note Re:imagined, moving between post-bop, funk, hip-hop and Afrobeat. Joel Ross records Equinox in 2022 for his Blue Note album nublues. Michael Schiefel and David Friedman play Dolphin Dance as a duo for voice and vibraphone, and the WDR Big Band plays it live under Bob Mintzer in June 2026.

The tunes