Jimmy McHugh, music · Dorothy Fields, lyrics · Introduced by Walter Woolf King in the revue Clowns in Clover, Chicago
Don't Blame Me
Don't Blame Me is a 1932 ballad by Jimmy McHugh and Dorothy Fields. Its AABA form moves through several ii–V chord pairs, which makes it a good study in ballad harmony. Ethel Waters, Nat King Cole, Charlie Parker, Thelonious Monk and Bud Powell all recorded it.
Start with two vocal versions, then follow the song through a bebop quintet, a drummerless piano trio, a quartet with trombone, a live trio and two solo pianists. Each step shows another way to play the same 32 bars.
Ethel Waters sings with an orchestra, and the track runs about three minutes. Follow the sung line first, since every later version in this path comes back to it.
Try this
Play the first eight bars of the chart slowly with one chord per bar. Then sing or hum the tune along with Waters while you play the chord roots.
Charlie Parker (Original Charlie Parker Quintet) · 1947
Dial 1021
C major · 4/4 · swing · 64 bpm (slow)
Couldn't play this one here. Try the links below.
Listen for
The quintet has Miles Davis on trumpet with Parker on alto saxophone. The whole track runs 2:46, so it makes a compact version to follow against the chart.
Try this
Play the chart through once at a slow tempo with one chord per bar, then follow the form along with the record and count where the bridge starts.
Piano and trombone share the front line over bass and drums. The track runs 7:34, so use the chart to keep your place.
Try this
Loop the eight-bar A section from the chart at a slow tempo. Play only the chord tones of each chord (for Cmaj7 that is C, E, G and B). If you can improvise over changes, try short phrases on top.
Each eight-bar A section stays in C major and opens on Cmaj7. Em7♭5 and A7♭13 lean toward D minor, and Dm7♭5 to G13♭9 returns to C. The bridge opens on Fmaj7, moves through E7 to Am7 for two bars, then D7, Dm7, A♭7 and G7 lead back to C for the last A. These key areas follow the iReal Pro chart and leave out passing chords.