Jazz Changes

Jimmy McHugh, music · Dorothy Fields, lyrics · Introduced by Walter Woolf King in the revue Clowns in Clover, Chicago

Don't Blame Me

Don't Blame Me is a 1932 ballad by Jimmy McHugh and Dorothy Fields. Its AABA form moves through several ii–V chord pairs, which makes it a good study in ballad harmony. Ethel Waters, Nat King Cole, Charlie Parker, Thelonious Monk and Bud Powell all recorded it.

C major · 32 bars · A A B A form · how it works

Listen in this order

Start with two vocal versions, then follow the song through a bebop quintet, a drummerless piano trio, a quartet with trombone, a live trio and two solo pianists. Each step shows another way to play the same 32 bars.

8 recordings, 1933 to 1988 · Play all 8 on YouTube ↗

  1. Ethel Waters with orchestra1933
  2. The King Cole Trio1944
  3. Charlie Parker1947
  4. The Oscar Peterson Trio1954
  5. Bud Powell1957 · Bebop
  6. The Barry Harris Trio1960
  7. Thelonious Monk1963 · Post-bop
  8. McCoy Tyner1988 · Post-bop

Step 1 of 8 Now playing✓ Heard

Hear the song as a 1933 pop vocal

Ethel Waters with orchestra · 1933

Moments

Listen for
Ethel Waters sings with an orchestra, and the track runs about three minutes. Follow the sung line first, since every later version in this path comes back to it.
Try this
Play the first eight bars of the chart slowly with one chord per bar. Then sing or hum the tune along with Waters while you play the chord roots.

Step 2 of 8 Now playing✓ Heard

Hear a small group sing it

The King Cole Trio · 1944

The Complete Capitol Recordings of the Nat King Cole Trio

Listen for
The group is Cole at the piano and voice with a guitar and a bass. There are no horns and no drums, so listen for the space the three players leave.
Try this
Play the song at the piano with chords in the right hand and single bass notes in the left. Keep the touch light, as the trio does.

Step 3 of 8 Now playing✓ Heard

Hear it as a bebop ballad

Charlie Parker (Original Charlie Parker Quintet) · 1947

Dial 1021

C major · 4/4 · swing · 64 bpm (slow)

Listen for
The quintet has Miles Davis on trumpet with Parker on alto saxophone. The whole track runs 2:46, so it makes a compact version to follow against the chart.
Try this
Play the chart through once at a slow tempo with one chord per bar, then follow the form along with the record and count where the bridge starts.

Step 4 of 8 Now playing✓ Heard

Hear a piano trio play it

The Oscar Peterson Trio · 1954

Oscar Peterson Plays Jimmy McHugh

Listen for
The trio has piano, guitar and bass, with no drums. Listen to what the guitar and the bass each do under the piano.
Try this
Play the melody in the right hand and the chord from the chart on the first beat of each bar in the left hand. Keep it at a slow ballad tempo.

Step 5 of 8 Now playing✓ Heard

Hear trombone and piano share the tune

Bud Powell · 1957 · Bebop

The Amazing Bud Powell, Vol. 3: Bud!

Listen for
Piano and trombone share the front line over bass and drums. The track runs 7:34, so use the chart to keep your place.
Try this
Loop the eight-bar A section from the chart at a slow tempo. Play only the chord tones of each chord (for Cmaj7 that is C, E, G and B). If you can improvise over changes, try short phrases on top.

Step 6 of 8 Now playing✓ Heard

Hear a trio with drums

The Barry Harris Trio · 1960

“Don't Blame Me (take 2, live)”, Barry Harris at the Jazz Workshop

Listen for
This is a piano, bass and drums trio recorded live. Compare the drums here with the drummerless Peterson trio.
Try this
Play the melody and basic chords along with the first chorus. Then play it again and tap the beat with the drums.

Step 7 of 8 Now playing✓ Heard

Hear the song played alone

Thelonious Monk · 1963 · Post-bop

“Don't Blame Me (take 1)”, Criss-Cross

Listen for
Monk is the only player, so you hear the melody and chords from one pianist. Follow the chart to hear where the bridge begins.
Try this
Play the bridge by itself from the chart: Fmaj7, E7, Am7, D7, Dm7, A♭7, G7, one chord per bar. Then add the melody on top.

Step 8 of 8 Now playing✓ Heard

Hear a modern solo piano version

McCoy Tyner · 1988 · Post-bop, Modal jazz

“Don't Blame Me (live at Merkin Hall)”, Revelations

Listen for
Tyner is the only player, as Monk was. Compare the two solo versions side by side.
Try this
Play the two ii–V pairs from the first A section of the chart (Dm7♭5 to G7, then Em7♭5 to A7) slowly, then play the whole first A section.

More great versions

6 more, from 1947 to 1987. Tap a cover to play it here.

  1. Sarah Vaughan1947 · Bebop
  2. Charlie Parker1953 · Bebop
  3. Walter Bishop Jr. trio1960
  4. Eric Dolphy1961
  5. Coleman Hawkins1966
  6. McCoy Tyner Trio1987 · Post-bop

How the tune works

C majorusual key
32 barsA · A · B · A form
C major → F major → A minor → C majorkey centers

Each eight-bar A section stays in C major and opens on Cmaj7. Em7♭5 and A7♭13 lean toward D minor, and Dm7♭5 to G13♭9 returns to C. The bridge opens on Fmaj7, moves through E7 to Am7 for two bars, then D7, Dm7, A♭7 and G7 lead back to C for the last A. These key areas follow the iReal Pro chart and leave out passing chords.

Play the changes

C major
Open in iReal Pro ↗
A9 bars
Cmaj7Em7♭5
A7♭13
Dm7♭5G13♭9
Cmaj7Am7
Dm7♭5G13♭9
Em7♭5A7♭13
Dm7G7
1.Cmaj7G7
2.C6C7
B8 bars
Fmaj7
E7
Am7
Am7
D7
D7
Dm7A♭7♯11
G7
A8 bars
Cmaj7Em7♭5
A7♭13
Dm7♭5G13♭9
Cmaj7Am7
Dm7♭5G13♭9
Em7♭5A7♭13
Dm7G7
C6G7

Chart from iReal Pro's Jazz 1460 playlist, contributed by its users.