Jazz Changes

Antônio Carlos Jobim, music · Newton Mendonça, lyrics · João Gilberto's Odeon recording, Rio de Janeiro, 1960

Meditation

Meditation, or Meditação in Portuguese, is a by Antônio Carlos Jobim, with words by Newton Mendonça. Norman Gimbel wrote English words for it, so singers and instrumentalists both record it. You can hear it from João Gilberto, Frank Sinatra and Astrud Gilberto, and from Dexter Gordon and Paul Desmond.

Listen in this order

The path starts in Rio de Janeiro with João Gilberto, then follows the song to New York and Hollywood with its composer and two singers. It ends with jazz players in Chicago, New York, Germany and a Toronto club.

8 recordings, 1960 to 1975 · Play all 8 on YouTube ↗

  1. João Gilberto1960 · Bossa nova
  2. Antônio Carlos Jobim1963 · Bossa nova
  3. Astrud Gilberto1965 · Bossa nova
  4. Oscar Peterson1966 · Latin jazz
  5. Frank Sinatra and Antônio Carlos Jobim1967
  6. Dexter Gordon1969 · Hard bop
  7. Joe Pass1970 · Bebop
  8. The Paul Desmond Quartet1975 · Cool jazz

Step 1 of 8 Now playing✓ Heard

Hear the Brazilian original

João Gilberto · 1960 · Bossa nova

“Meditação”, O Amor, o Sorriso e a Flor

João Gilberto recorded it for Odeon in Rio de Janeiro on March 28, 1960, with an orchestra conducted by Jobim. It is on his LP O Amor, o Sorriso e a Flor, whose title comes from the song's Portuguese words.

Voice with orchestra

Listen for
The whole song lasts under two minutes. João Gilberto sings in a close, quiet voice with an orchestra behind him.
Try it on your instrument

Play 1 to 8 slowly, one per bar: , C6, , , C6, C6, , . Hum the tune over them and keep your touch light and even.

Step 2 of 8 Now playing✓ Heard

Hear the composer's version

Antônio Carlos Jobim · 1963 · Bossa nova

The Composer of Desafinado, Plays

Jobim recorded it at A&R Studios in New York on May 9 and 10, 1963, for The Composer of Desafinado, Plays, his first album under his own name. Claus Ogerman arranged the album.

Led by the composer

Listen for
This track has no words, so instruments play the whole melody, and the piece lasts a little over three minutes.
Try it on your instrument

Play the melody alone at a calm pace, then add the from the chart under it. Smaller version: play only the first four , twice.

Step 3 of 8 Now playing✓ Heard

Hear a singer take it abroad

Astrud Gilberto · 1965 · Bossa nova

The Astrud Gilberto Album

Astrud Gilberto recorded it on January 27 and 28, 1965, at RCA Studios in Hollywood for her first album. Creed Taylor produced it and Marty Paich arranged it, with Jobim on guitar.

Listen for
One light voice stays out in front for the whole track, which lasts under three minutes.
Try it on your instrument

Hum the tune along with the record, then sing it again by yourself as softly and evenly as you can.

Step 4 of 8 Now playing✓ Heard

Hear a jazz pianist's version

Oscar Peterson · 1966 · Latin jazz

Soul Español

Oscar Peterson recorded it in Chicago on December 12, 1966, for Soul Español. A bass player, a drummer and three percussion players join him.

Piano with Latin percussion

Listen for
The piano carries the tune while conga and timbales add a lively beat underneath, which gives the track a brighter mood than the earlier ones.
Try it on your instrument

Tap a steady beat with one hand and play 1 to 8 with the other, one per bar. Smaller version: tap the beat while you hum the tune.

Step 5 of 8 Now playing✓ Heard

Hear Sinatra sing with the composer

Frank Sinatra and Antônio Carlos Jobim · 1967

“Meditation (Meditação)”, Francis Albert Sinatra & Antonio Carlos Jobim

Frank Sinatra and Jobim recorded the album at United Western Recorders in Hollywood between January 30 and February 1, 1967. Claus Ogerman arranged it for a studio orchestra, and Reprise released it that spring.

Voice with orchestra

Listen for
Sinatra sings at an easy pace with a studio orchestra behind him, and the track ends before three minutes.
Try it on your instrument

Sing the tune at an easy pace, then play the first 16 as from the chart, one per bar.

Step 6 of 8 Now playing✓ Heard

Hear a tenor saxophone play it

Dexter Gordon · 1969 · Hard bop

“Meditation (Instrumental)”, More Power!

Dexter Gordon's quartet recorded it in New York on April 4, 1969, and Prestige released it on More Power! in 1970. At 8:29 it runs well past the earlier tracks on this page.

Tenor sax quartet

Listen for
Gordon's tenor saxophone plays the tune, and the quartet then stays with the song for most of the 8:29.
Try it on your instrument

Playing a solo over the is advanced. Smaller version: play the tune twice and change only the rhythm of the tune the second time.

Step 7 of 8 Now playing✓ Heard

Hear a guitar trio play it

Joe Pass · 1970 · Bebop

Intercontinental

Joe Pass recorded it with a bass player and a drummer in Villingen, Germany, between June 8 and 10, 1970, for the MPS album Intercontinental.

Guitar trio

Listen for
The guitar plays the tune and the bass and drums keep a light beat under it for 5:24.
Try it on your instrument

Play the tune, then play each 's once, on the first beat, while a metronome keeps the beat. Smaller version: do only bars 1 to 4.

Step 8 of 8 Now playing✓ Heard

Hear it live in a club

The Paul Desmond Quartet · 1975 · Cool jazz

“Meditation (Live at the Bourbon Street Jazz Club, Toronto)”, Like Someone in Love

Paul Desmond's quartet played it live at the Bourbon Street club in Toronto on March 29, 1975. Telarc issued the recording in 1992 on Like Someone in Love.

Alto sax quartet · Live in a club

Listen for
The alto saxophone and the guitar share the lead, and the track runs almost eleven minutes.
Try it on your instrument

Tap your foot with the record and count out loud for the first minute. Smaller version: count only the first 16 bars, then stop and listen.

Through the decades

  1. 1950s

    According to the Jobim Institute's catalog, Isaura Garcia records it on an EMI-Odeon LP in 1959, a year before João Gilberto's version.

  2. 1960s

    João Gilberto records it in Rio in 1960, with an orchestra conducted by Jobim. In 1967 Frank Sinatra sings it on his album with Jobim, recorded in Hollywood.

  3. 1970s

    Joe Pass plays it in a guitar trio in Germany in 1970. In 1975 Paul Desmond's quartet plays it live in a Toronto club for almost eleven minutes.

  4. 1980s

    Ana Caram sings it on her 1989 album Rio After Dark, with Jobim on piano and backing vocals.

  5. 2000s

    Nellie McKay sings it in 2009 on a Verve album that pays tribute to Doris Day.

More great versions

3 more, from 1959 to 2009. Tap a cover to play it here.

  1. Isaura Garcia1959
  2. Ana Caram with Antônio Carlos Jobim1989
  3. Nellie McKay2009

For players

The tune's layout, its keys and the chord chart, for anyone who wants to play along.

Show the form and chords

How the tune works

C majorusual key
44 barsA · A · B form
C → F → Ckey centers

A runs 44 : a 16-bar part that plays twice, then a 12-bar closing part. The 16-bar part stays in . holds bars 1 and 2, and fill bars 3 and 4, and C6 returns for bars 5 and 6. and take bars 7 and 8, holds bars 9 and 10, and holds bars 11 and 12, the one darker colour. Em7 and A7♭13 come round again in bars 13 and 14, and Dm7 and close the part in bars 15 and 16. The closing part opens with for two bars and Fm6 for two, the only stretch that leaves C major. Em7, , Dm7 and G7♯5 then bring it home in bars 37 to 40. The last four bars play Em7 with A7♭13, Dm7 with , C6, and Dm7 with G7.

Play the changes

C major
Open in iReal Pro ↗
A16 bars
C6
C6
B7sus
B7
C6
C6
Em7
A7♭13
Dm7
Dm7
Fm6
CodaFm6
Em7
A7♭13
Dm7
G7♯5
B12 bars
Fmaj7
Fmaj7
Fm6
Fm6
Em7
E♭°7
D.C. al CodaDm7
G7♯5
CodaEm7A7♭13
Dm7G7
C6
Dm7G7

Chart from iReal Pro's Jazz 1460 playlist, contributed by its users.