Jimmy Van Heusen, music · Johnny Burke, lyrics · First recorded by Tommy Dorsey's orchestra with Frank Sinatra
Polka Dots and Moonbeams
Polka Dots and Moonbeams is a 32-bar ballad from 1940 by Jimmy Van Heusen and Johnny Burke. Players like its bridge, which moves to a distant key and finds its way home in two bars. Singers, piano trios, guitarists and horn players have recorded it since Frank Sinatra's first hit with Tommy Dorsey.
The path opens with the 1940 Sinatra record and a 1954 vocal by Sarah Vaughan. It then moves through Bud Powell's trio, a live Stan Getz quintet, Chet Baker's trumpet, Wes Montgomery's guitar and Bill Evans's trio, and ends with Paul Desmond and Jim Hall, a quartet without piano.
Frank Sinatra with Tommy Dorsey and His Orchestra · 1940
Single, Victor 26539
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Frank Sinatra sings with Tommy Dorsey and His Orchestra. Follow the voice through the 32 bars and find the bridge in the third eight.
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Play along with the recording at an instrument, using the melody and the chords of the first eight bars. If that is too much, play only the chord roots.
Guitar with piano, bass and drums. Follow the guitar through the bridge and compare it with the saxophone on the Getz track.
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If you play guitar or keyboard, play the first A section's chords once per bar change, as on the chart, then add the melody on top. If you do not, hum the melody while you listen.
Piano, bass and drums. Listen to the piano alone in the bridge and compare its chords with the chart.
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Play the bridge's chords with your left hand, one chord per bar, and pick out the melody on top. A smaller version is to play only the root of each bridge chord.
Alto saxophone with guitar, bass and drums. With no piano in the lineup, the guitar supplies the chords.
Try this
Play the melody on a single-note instrument while you listen, then play the chords on guitar or keyboard under a recording of someone else playing the tune.
Thirty-two bars in four sections of eight, A A B A, in F major. Each A section moves through the home chords in pairs, two chords a bar: Fmaj7 Dm7, Gm7 C7, then Fmaj7 Dm7 again. Bar 4 adds Em7♭5 and A7 on the way to Dm7, and bars 5 and 6 slide through D♭7 and A♭m7 before Gm7 and C7 reach the end. The first time through, the last bar of the A is F6, Bm7♭5, E7, and the E7 leads into the bridge. The bridge sits in A major for six bars (Amaj7, Bm7 E7, Amaj7 F♯m7, Bm7 E7, Amaj7, Bm7 E7), then A7 D7 and Gm7 C7 bring it back to F for the last A. The chords here follow the iReal Pro chart.