Jazz Changes

Joe Henderson, music · Kelley Johnson, English lyrics · First released on Page One, Blue Note, 1963

Recorda Me

Recorda Me is a 16-bar bossa nova by saxophonist Joe Henderson, first released on Page One in 1963. It pairs modal ideas in the first half with moving ii V changes in the second. It is a common jam session tune, and Henderson himself recorded it live and with a big band.

▶ Plays the whole path in order, one recording after another.

  1. 1 Learn the song Joe Henderson Quintet
  2. 2 Hear it live Joe Henderson Quintet
  3. 3 Hear the first pianist again McCoy Tyner Quartet
  4. 4 Hear a different horn Art Farmer Quartet
  5. 5 Hear it sung Tierney Sutton
  6. 6 Hear it arranged Joe Henderson Big Band
  7. 7 Hear it without a horn Gustav Lundgren, Jorge Rossy & Doug Weiss
  8. 8 Hear it stretched out Joe Henderson Quartet

How the tune works

A minorusual key
16 barsA · B form
A m · C m · B♭ · A♭ · G♭ · Fkeys it moves between

Sixteen bars in A minor, in four blocks of four bars with no repeat. Bars 1 to 4 stay on A minor seventh. Bars 5 to 8 move up a minor third to C minor seventh, and the last bar adds F7, a ii V that points at B♭. Bars 9 to 12 are a chain of ii V changes, each a whole step lower than the one before: B♭ major seventh in bar 9 with B♭ minor seventh and E♭7 in bar 10, then A♭ major seventh in bar 11 with A♭ minor seventh and D♭7 in bar 12. Bar 13 is G♭ major seventh. Bar 14 is G minor seventh and C7, a ii V that falls a half step to F major seventh in bar 15. The second half of bar 15 and all of bar 16 sit on E7♭9, the dominant that pulls the music back to A minor at the top.

Read each line as four bars. A bar with two chords splits evenly between them. A key tag marks the first bar where a new key area arrives. The chart is in A minor, the common key on the Jazz Advice page for the tune.

Key A minor
Abars 1–8
Bar 1: A minorAm7
Bar 2: Am7
Bar 3: Am7
Bar 4: Am7
Bar 5: C minorCm7
Bar 6: Cm7
Bar 7: Cm7
Bar 8: Cm7F7
Bbars 9–16
Bar 9: B♭ majorB♭maj7
Bar 10: B♭m7E♭7
Bar 11: A♭ majorA♭maj7
Bar 12: A♭m7D♭7
Bar 13: G♭ majorG♭maj7
Bar 14: F majorGm7C7
Bar 15: Fmaj7E7♭9
Bar 16: A minorE7♭9

Taken from the chord changes on Wikipedia, which write the minor chords as A–7 and C–7; this chart writes them Am7 and Cm7. Jazz Advice (jazzadvice.com/jazz-standards/recorda-me/ and its Joe Henderson lesson) describes the same progression in words: A minor, then C minor a minor third higher, then ii V changes that step down by whole steps to G♭, one ii V that falls a half step to F, and a V chord that returns to A minor. Wikipedia splits bar 15 between Fmaj7 and E7♭9; Jazz Advice does not give the split. Learn Jazz Standards notes that the original recording has an intro that counts as part of the tune. This chart covers the 16-bar chorus only. Compare it with the chart you play from.

Source: Wikipedia: Recorda Me (chord changes)

Listen in this order

Play all 8 on YouTube ↗

The path starts with Henderson's 1963 recording, then hears him live in 1970 and again with the pianist from the first session in 1991. It moves on to a flumpet quartet, a singer, Henderson's big band and a guitar trio, and ends with a 23-minute club set from 1978.

  1. Step 1 · Learn the song Now playing

    Joe Henderson Quintet 1963

    “Recorda-Me”, Page One

    Listen for
    Count the 16 bars as four blocks of four. The first eight sit on two minor chords, and the last eight move through ii V changes that step down.
    Try this
    Play Am7 for four bars, then Cm7 for four bars, and notice how long the two chords stay put. Then play the second half from the chart, one bar at a time.
  2. Step 2 · Hear it live Now playing

    Joe Henderson Quintet 1970

    “Recorda-Me (Remember Me)”, At the Lighthouse

    Listen for
    George Cables plays electric piano here. Count the 16-bar choruses under the solos and notice where the four-bar blocks begin.
    Try this
    Tap the pulse and count each 16-bar chorus as four blocks of four. When that feels steady, say the first chord of each block out loud from the chart.
  3. Step 3 · Hear the first pianist again Now playing

    McCoy Tyner Quartet 1991

    “Recorda Me (Remember Me)”, New York Reunion

    Listen for
    Tyner played on the first session. The track runs just under ten minutes, so follow how many choruses the quartet plays and listen to Ron Carter's bass under the changes.
    Try this
    Play one root note per bar from the chart on bass or piano, using the first chord in a bar that has two. Hear how the roots fall through the second half.
  4. Step 4 · Hear a different horn Now playing

    Art Farmer Quartet 1991

    “Recorda Me (Live)”, Soul Eyes: Live at the Blue Note

    Listen for
    Compare the sound of Art Farmer's flumpet with the tenor saxophone on the earlier steps. Piano, bass and drums back him, with no second horn.
    Try this
    Play or hum the first four bars of the tune over a held Am7, then the next four over a held Cm7. A trumpet or any other horn works well for this.
  5. Step 5 · Hear it sung Now playing

    Tierney Sutton 1999

    “Remember Me (Recordame)”, Unsung Heroes

    Listen for
    A singer has to land each four-bar block. Follow the voice and notice where the harmony starts to move every bar or two in the second half of the form.
    Try this
    Hum the tune on one syllable over a held Am7 for four bars and a held Cm7 for four bars. Then carry on into the second half with the chart in front of you.
  6. Step 6 · Hear it arranged Now playing

    Joe Henderson Big Band 1996

    “Recordame (Recuerdame)”, Big Band

    Listen for
    The band is far larger than the quartets and quintets earlier on the path. Follow the 16-bar form and listen for which blocks use the full band.
    Try this
    Write the four blocks on a card: Am7, Cm7, the ii V changes down to G♭, and the F and E7 turnaround. Point to each block as you hear it.
  7. Step 7 · Hear it without a horn Now playing

    Gustav Lundgren, Jorge Rossy & Doug Weiss 2020

    “Recorda Me (Live)”, Live at Fasching

    Listen for
    With no horn and no piano in the lineup, guitar, bass and drums cover everything. Listen for the point where the harmony starts to move faster in the second half.
    Try this
    Play the 16-bar chart on guitar or piano at a slow tempo, treating each four-bar block as one unit. Chord-melody or soloing over these changes asks for more skill, so start with the chords alone.
  8. Step 8 · Hear it stretched out Now playing

    Joe Henderson Quartet 1978

    “Recorda Me (Live at the Jazz Showcase, February 1978)”, Consonance: Live at the Jazz Showcase

    Listen for
    The track runs about 23 minutes, so the 16-bar form comes around many times. Pick one chorus and follow the four-bar blocks, then do the same with a later chorus.
    Try this
    Set a timer for the first three minutes of the track. Count how many times the 16 bars come around, tapping the first beat of every fourth bar.

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